Theology and the Arts: Engaging Faith (Routledge Studies in Religion)

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Two pages on each of movies. Fraser, Peter.


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Westport, CT: Praeger Publishers, Fraser, Peter and Vernon Edwin Neal. Focal Point Series. Crossway Books, Friedman, Lawrence S. The Cinema of Martin Scorsese. New York: Continuum, Garbowski, Christopher. Eastern European Monographs, Out of Print. ISBN Garrett , Greg. The Gospel according to Hollywood. Louisville and London: Westminster John Knox, Garrett, Greg and Chris Seay.

Boulder, CO: NavPress, Geivett, R. Douglas and James S. Spiegel, editors. Downers Grove: InterVarsity, Gervais, Marc. Ingmar Bergman: Magician and Prophet. Getlein, Frank and Harold C. Gardiner, S. Movies, Morals, and Art. New York: Sheed and Ward, Gire, Ken.

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Reflective Living Series. Chariot Victor Publishing, Godawa, Brian. Goodacre, Mark. Greeley, Andrew M. God in the Movies : A Sociological Investigation. Sommerset, NJ: Transaction Publishing, Hertenstein, Mike. Higgins, Gareth. Holloway, Richard. Geneva: WCC, Hurley, N. Theology through Film. UofW library. Maryknoll, NY: Orbis, Irwin, William, ed. Popular Culture and Philosophy, Volume 3. Jewett, Robert. Johnston, Robert K. Reel Spirituality : Theology and Film in Dialogue. Kahle, Roger and Robert E. Minneapolis, MN: Augsburg, Kickasola, Joe.

Kinnard, Roy and Tim Davis. Citadel Press, Kreitzer, Larry J. The Biblical Seminar Each essay is a conversation between the film and O. Biblical Seminar Essays that engage in conversation between N. Jekyll and Mr. Hyde, and The Trial. Kupfer, Joseph H. Visions of Virtue in Popular Film. Lang, J. Lawrence, John Shelton and Robert Jewett. The Myth of the American Superhero. Leonard, Richard, S. Chicago: Loyola Press, Lindvall, Terry. Loughlin, Gerald. The entire issue of the journal is devoted to Media. Challenges in Contemporary Theology.

Lyden, John C.

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Film as Religion: Myths, Morals, and Rituals. MacDonald, Alan. Malone, Peter. Movie Christs and Anti-Christs. New York: Crossroad, Malone, Peter, with Rose Pacatte. Lights, Camera.

Faith: A Movie Lectionary. Cycle A. Boston: Pauline Books and Media, Cycle B.

Eric Stoddart | Practical Theology, Surveillance, and Digital Technologies

Cycle C. The Ten Commandments. Marsh, Clive and Gaye W. Explorations in Theology and Film: Movies and Meaning. Wiley-Blackwell, Marsh, Clive. Martens, John W.

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Winnipeg, MB: J. Gordon Shillingford Publishing, Martin, Joel W. Ostwalt, Jr. Martin, Thomas M. Matties, Gordon. May, John R. New York: Paulist Press, New Image of Religious Film. Religion in Film. McDowell, John C. McNulty, Edward N. Films and Faith. Viaticum Press, Faith and Film: A Guidebook for Leaders.

Includes movie discussion guides for twenty-seven popular movies. Miles, Margaret R. Seeing and Believing: Religion and Values in the Movies. Boston: Beacon Press, Miller, Monica Migliorino. The Theology of the Passion of the Christ. Staten Island, NY: St. Pauls, Mitchell, Jolyon and S. Morefield, Kenneth R. Faith and Spirituality in Masters of World Cinema. Newcastle: Cambridge Scholars, Neely, Alan. Newman, Kim. Apocalypse Movies: End of the World Cinema.

New York: St. O'Brien, Tom. Oropeza, B. The Gospel According to Superheroes. Peter Lang, Ostwalt, Conrad E. Overstreet, Jeffrey. Ventura, CA: Regal Books, Patterson, Thomas. Wheaton, IL: Harold Shaw, Paffenroth, Kim. Waco: Baylor University Press, Pinsky, Mark I. Plate, S. Palgrave, Wallflower Press, Brent and David Jasper, eds. Atlanta, GA: Scholars Press, Pope, Robert. Salvation in Celluloid. Porter, Jennifer E. McLaren, editors. Presler, Titus Leonard.

Reinhartz, Adele. Scripture on the Silver Screen. Louisville: Westminster, Jesus of Hollywood. Richards, Thomas.

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The Meaning of Star Trek. New York: Doubleday, Westport, CT and London: Praeger, Riess, Jana. What Would Buffy Do? The Vampire Slayer as Spiritual Guide. Indianapolis, IN: Wiley, Rosenberg, Joel. Runions, Erin. New York: Palgrave Macmillan, Sanders, Teresa. Celluloid Saints: Images of Sanctity in Film. Schillaci, Anthony.

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More often than not, conversations with others fail as much because one speaks without really having anything of substance to say on the subject matter as because she or he fails to listen to the other. In this case, as Yates has said, it is the claim to truth of the work of art that must engage our enterprise as our shared subject matter.

We must identify our own voices if we intend to hear the voice of the other as the voice of the Absolute Other. As Yates has insisted, theologians have entered into discussion with the arts and with artists too frequently with little experience in the philosophy of art, the history of art, or aesthetic awareness. If theology and art are to become partners in dialogue, theologians must broaden their own intellectual and experiential horizons enough to become open to the voices of their artistic partners, and artists must do the same.

Richard Viladesau and Frank Burch Brown have both developed aesthetic theologies that value the dialogue that is possible as one recognizes that works of art are always visual manifestations of the voice of a partner in quest of the emergence of truth and meaning see Viladesau , and Brown , From the side of practicing artists, Deborah Sokolove and John Shorb—fellow panelists in the San Diego response to Yates—represent artists who are also trained theologically and practice their gifts within the context of theological institutions.

Deborah Haynes has been a regular contributor to the richness of this discussion as well. David E. Linge Berkeley: University of California Press, Ruth Illman and W. Richard P. Brice R. All Rights Reserved. Collection of the artist.